| It's a wicked Wiija 
                  night at Camden Dingwalls, the last half hour has been spent 
                  interviewing Sgt Rock but headliners and label mates Brassy 
                  are also under the light. Being the centre of attention is something 
                  the band revels in. It's 2000, but the first actual Brassy record release was 'Boss' 
                  in 1996. Does that make you feel old, that you've been around 
                  a bit?
 "We certainly do," quips Jonny. "We've been producing 
                  singles so it's good to finally get the chance to record an 
                  album properly."
 "There's been lots of singles, lots of toilet tours," 
                  admits Stefan.
 "More toilet tours than I care to remember really," 
                  laughs Karen loudly.
 Manchester bands with American female singers aren't exactly 
                  the norm. Muffin claims she trapped her thigh getting off the 
                  plane and met Karen at the Swedish massage parlour where she 
                  went for treatment, later the two would form a great friendship. 
                  Karen massaged your thigh then?
 "Yeah. I had this really serious injury to one of my muscles 
                  I was on crutches."
 "And I came in asking for extras," laughs Jonny. It's 
                  a comment that sends us laughing and gives us an insight to 
                  Jonny's forthcoming examples of very down-to-earth humour. "And 
                  Karen slapped me in the face. I said 'Right I'm leaving, but 
                  girl you've got good rhythm'."
 It took effectively three years to get where they are today. 
                  At a time when Britpop was ruling the airwaves 'Boss' led comparisons 
                  to Elastica, which were inevitable but over time things would 
                  change. Three singles were released on independent imprint Costermonger, 
                  home also to Gene, before the label ran out of money and left 
                  Brassy having to fend for themselves. The band's drummer Jonny 
                  Barrington under the alias of DJ Swett would subsequently introduce 
                  some scratchings and a few breaks and beeps.
 "We targeted some record companies with our new material, 
                  Wiija was one of them," exclaims Jonny. "They liked 
                  what they heard and signed us."
 Indeed their debut for the Wiija Records label, the 'Bonus Beats 
                  EP', attracted the attention of turntablist Rob Swift who offered 
                  to remix their single 'I Can't Wait'. To be in a position with 
                  a credible label would be rewarding as Stefan would explain. 
                  "Signing to Wiija was a great pay off for all the hard 
                  work we'd made and the crap that we had to put up with." 
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