| "Indirectly 
                    it was," states Jonny. "We were angry at the crowd 
                    for being so fucking narrow minded."
 He should perhaps channel that anger and energy into song 
                    writing.
 
 "Anger is quite good I suppose," continues Jonny. 
                    "I think you've got to be fairly contemplative to write 
                    a song. If we're in a rehearsal studio together and there's 
                    some tension there that's quite good. I think tension is a 
                    good thing for rock and roll bands."
 
 "Yeah it forces an idea through really if someone gets 
                    pissed off with something," says Miles slightly nodding 
                    in agreement.
 
 So by definition Glitterbox is a rock and roll band. Rock 
                    and roll bands play their music loud don’t they? Glitterbox 
                    apparently do as Jonny explains.
 
 "We have a volume competition on stage which is fucking 
                    getting to my throat and making me hoarse. We behave just 
                    like every other bunch of blokes that go on tour together. 
                    You get six men in a van. It starts off with the first two 
                    days being really civilised and then it descends into full 
                    on horror."
 
 Though Glitterbox shouldn't be perceived as an angst ridden 
                    collective of individuals looking to music as a form of escapism.
 
 "I think we're doing what no-one else is doing," 
                    states Jonny. "We might be a little bit awkward in the 
                    context of what is going on at the moment. I think it would 
                    be rewarding if they gave us a second listen. We're an amazing 
                    pop band and as good as anything out there at the minute. 
                    It will change your life. We really believe that music can 
                    change your life, that's what we're doing it for."
 
 Interviewed by Andrew Mclean 1997
 Photography © Steve 
                    Double &  
                    © 
                    Andrew McLean
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